Interview with Clifford Geertz
Neni Panourgi·, Columbia University, USA
The interview with Clifford Geertz has a long history. It was originally conceived as part of a profile on Geertz for the Greek independent television program On the Paths of Thought, a program now in its sixth year that has hosted such profiles of world-eminent thinkers and artists in various disciplines. To that end, a first interview was given by Geertz to Professor Konstantinos Tsoukalas and Neni Panourgi· in February 1999 at the Institute for Advanced Study in Princeton. A second interview was graciously granted by Geertz to Panourgi· and Professor Pavlos Kavouras during the 1999 seminar in Hermoupolis. (See also the interviews by Boon, Fischer and Marcus, Anthropological Theory, September 2002.) The finalized profile, as broadcast by Greek National Television, includes portions of both interviews but the text published here, transcribed by Thomas Abowd, is based on the interview conducted in Hermoupolis.
Neni Panourgi· would like to thank everyone who contributed to these interviews (mentioned above individually) but also would like to thank Stephen Reyna who invited and scheduled the publication of the interviews and Richard Wilson who followed up and made their publication possible.
Neni Panourgi·: Professor Geertz, your name is closely associated with interpretive anthropology. How would you translate this perspective to students in anthropology?
Well, when I am asked I point to the work that has been done. This is a good question because I came into anthropology without any anthropology. As a graduate student, I had not had any. I went to a college where it was not taught; my own training was in philosophy and literature. When I got to Harvard as a graduate student I had to find out what anthropology was and I largely did it the way students should do it now: by reading classic texts and figuring out what it was all about.
Here is one funny story that will probably only make sense to other anthropologists: I went into Widener at Harvard which is an enormous library with tons of anthropology books and I pulled off the shelf George Murdochís Social Structures, which was about as foreign as anything ñ I almost quit because it is all statistical tables ñ but I soon found out that was not the case with anthropology as a discipline. But I think that it is important to just plunge into it because anthropology does not have a set of theories and practices that you can learn in an abstract way. It is not like surveying where you can learn how to do it and then go do it. In anthropology you have to learn to do it and do it at the same time. First you read and then you do a little bit of it and you tack back and forth between reading and doing and that it is how you get it. You can go and get a general characterization, you can do that, but that doesnít help anyone.
Pavlos Kavouras: We have the terms social anthropology, cultural anthropology and ethnology, all expressing the study of humanity. Is this differentiation in terminology simply a matter of national/historical development or does it reflect a significant theoretical, epistemological or practical divergence?
It is in part simply a difference of different traditions. Social anthropology comes largely out of the British tradition, which concentrates on kinship and social structure. Cultural anthropology comes out of the Boasian American tradition and cultural analysis of Indian groups. Ethnology is the old European term. Ethnology now, even if you hear the word every once in a while, does not really exist anymore, at least not in the United States and I donít think it exists in general any longer. But there is a distinction between social and cultural anthropology that is more than historical and national. It does have to do with the notion of what it is all about. And you still see polemics on both sides; there is a new book out by Adam Kuper that is a general attack from the British position on the American one. They donít like the idea of culture, they donít like the idea of meaning, they are much more into social structure. Remember the famous statement of Radcliffe-Brown: ësocial structure is as real as a seashellí? I mean thatís the kind of strict empiricism. Now it does not really sort out that way because there is a reading of that kind of anthropology in the United States and there are cultural and interpretive anthropologists in Britain and Europe. So there is a difference in view but it is not a difference in the profession. We are all doing the same thing, we just differ a bit about how to go about it.
PK: How would you describe, thickly or not, the scope and method of interpretive anthropology? Is it a discipline or a perspective? Obviously the key term here is interpretation. Does the notion of interpretation produce a difference between a natural science and an interpretive paradigm in the study of social/cultural phenomena? And does ëinterpretationí remain monadistic? If we can have not one but many interpretations does that mean that we (can/do) have many realities?
Well, it is a perspective, not a discipline ñ that I would certainly say. Radcliffe-Brownís most famous book is entitled A Natural Science of Society, as you remember. And I think that his notion was ñ it sort of follows on from Bertrand Russell ñ that you get natural laws, you examine them empirically and you get social laws of one kind or another. In interpretive anthropology or even anthropology more generally, we donít have much confidence in our capacity to do that and what concerns us mostly is trying to understand how people themselves regard their lives, what they want to do and what they are all about. So interpretation in my view is fundamentally about getting some idea of how people conceptualize, understand their world, what they are doing, how they are going about doing it, to get an idea of their world.
Again an example would be kinship. In the British tradition you are concerned with kinship and kinship terminology to get a systematic characterization of them. In interpretive anthropology you are much more concerned with how people thought of their mothers and fathers and brothers. How people saw themselves and how they think the gender issue works out. But I do think it is a perspective ñ as you say ñ rather than a discipline. Anthropology has a slight habit of fractioning itself, so you get economic anthropology and political anthropology, and so on. The American Anthropological Association now has more than 50 different sub-groupings all called something or other. And to me at least interpretive anthropology is a perspective and a way of going about it that I have just tried to explicate. Not a sort of thing in itself, not a sub-discipline.
I donít want to parody the other side but I tend to. They think that there is a correct description. They think that you can say that this is the way it is. But interpretive anthropology believes that you can have two interpretations of the same thing. Now that does not mean that all interpretations work, some interpretations are better than others and we can talk about how you go about one or another, but that is another issue. But you can have multiple interpretations in the field of a particular system and they all have an appeal. Interpretive anthropology draws much more on the literary and philosophical traditions as opposed to the scientific tradition that social anthropology tends to draw on. And so it is used to the notion of their being multiple interpretations of the same ëtextí. Just to give you an example, in Hamlet there are two major interpretations that have been in the field, one of which is the Freudian interpretation. This is the story of Hamlet, a man who canít make up his mind, the Oedipal Complex. Then there is another political interpretation, the one that Francis Ferguson is most famously identified with, where the key quote is ëSomething is rotten in the state of Denmark.í Both of those readings are possible, you donít have to choose between them, you canít really unify them. You just live with both of them. You can read the play in both ways and I think that is true of most cultural institutions of major importance. Iíve done a lot of readings of Bali, but there are others who have done other readings, some of which are not very good, but others are equally OK because thereís no final place to stop. You just discuss these things. Sometimes these questions disappear because people get bored with them. Some donít work anymore. But there is no sense that we are all going to finally zero in on one final interpretation on something like ëJavanese societyí or ëMoroccan societyí. That just isnít going to happen ñ not in this tradition anyway.
NP: You have often drawn an intellectual genealogy of interpretive anthropology that references the genealogy of hermeneutics. The terms ëhermeneusisí and ëinterpretationí produce the same meaning in Greek. Would you like to expand on this genealogical affinity?
It starts with Schleiermacher and so on and then it continues on with Gadamer and people of this sort, which rests on Biblical criticism but is secularized. And I, at least, have learned a great deal from that tradition but itís not mine, I mean I do not come out of that tradition, I mean I come out of a different kind of tradition that is Anglo, which is the study of meaning by Pierce and a philosophical tradition of a different sort. There are some problems in the German tradition that we do not address and we are not concerned with, the truth and reality of these things, to the same extent that Biblical criticism was. But the techniques we tend to borrow are not from the philosophical disciplines but from the literary disciplines, there is a whole literary tradition of hermeneutics. So there are lots of different interpretive things. The thing that the Germans did, and they deserve credit for this, was that they did methodologize it a bit, they did reflect on the process of interpretation. And you donít get much of that in the Anglo tradition and indeed there is something of a resistance to over-conceptualization of the tradition, of which Wittgenstein is a good example.
PK: How does interpretive anthropology differ from other interpretive approaches in the social sciences?
I donít quite know the answer to that. I donít know what interpretive sociology is or would be. Anthropology is a great ëinvaderí of other peopleís turf, we do politics, we do sociology, so it is hard to distinguish anthropology in those terms from other disciplines. The only way you can distinguish it is in the kinds of work that has been done in the past. In some ways, as far as the US is concerned, interpretive sociology is largely parasitic on interpretive anthropology. ButWeber was concerned with the relationship between scientific law on the one hand and moral kinds of issues on the other, and actually interpretive anthropology is very heavilyWeberian. So is he an anthropologist or what? The real opposition might be between Weber and Durkheim. In the early 20th century when these people were practicing, these fields were not crystallized or professionalized the way that they are now; so was Durkheim an anthropologist or sociologist? You could argue either way. He was both. He did studies of Australian totemism and he did studies of suicide in France. And the same thing is true of Weber who did studies of economic change and political organization, but he also did studies of religion in China, so that kind of crystallization is posterior, is after the establishment of the interpretive tradition.
I would think that this fragmentation has remained stronger in anthropology than it has in sociology or in political science. But they are all from the same source and the professional divisions are very recent, post World War II, and somewhat American in some ways. Cambridge did not have a professor of sociology for the longest time and there was a big struggle over this and Talcott Parsons went over and spoke and when they finally got one it was Jack Barnes, who is an anthropologist. Again, in Britain you donít get that distinction that way you do in the United States. So we who do interpretive work are all descendants of the same ancestors but now that we have been divided up into professional cliques you get these different terms.
NP: You mentioned the fact, and it is apparent in the corpus of your work, that you were not originally trained in anthropology but in literature and philosophy. This interdisciplinary training has framed the way in which you have been formulating the theoretical questions that have guided your research. Are there any landmarks in the history of American interpretive anthropology? Who were your theoretical interlocutors?
First, about when it was formed. It started in the 1960s and early 1970s. There was a group of us. Talcott Parsons is not an interpretive anthropologist but he made it possible to talk about meaning and symbols and structures and that was extraordinarily important. But there was also a group of people who all emerged at the same time, more or less: in the US and Britain particularly and in France with LÈvi-Straussí students. Mary Douglas and Victor Turner, myself and David Schneider, even Leach in England and a number of other people. I think the first real move toward doing it in the United States was at Chicago in the early 1960s when I first got there. And we really did try to change the way things were done. Chicago was in the British tradition then but it was run by a very marvelous man named Fred Eagan who was very open to anything; he said, OK, you want to create a revolution, create one, and we restructured the curriculum around notions that we brought with us from different places. Victor Turner was there later, not much later. There emerged something called ësymbolic anthropologyí at that time and that is what a lot of people still call it. And it sort of crystallized then and the reaction against it came largely from what are called cultural materialists in the US. We drew from Mead, Sapir, Benedict and we were continuing the kinds of concerns that they had and the reaction against it, the empirical traditions, the positivist traditions, and then comes the emergence of socio-biology. Marshall Sahlins went from one side to the other in a famous flip flop. He wrote a critique of LÈvi-Strauss and then went to France and became a structuralist, but an American-style structuralist because he was concerned with interpretive work. So there was a generational effect and then we produced students. We introduced a curriculum, an introductory graduate curriculum, that was called ëSystemsí; it started with Weber and then talked about cultural interpretation. We tried also to reconstruct the history of anthropology, not seeing it so much through Tylor but through George Stocking, through the neo-Kantians. So that is where it started and there was a second generation. And then there was a split where the post-modernists felt, and still feel, that some of us did not go far enough and wanted to be much more critical. And so you get the emergence of people like Fischer and Marcus who want to take it further in ways that some of us are weary about. So you end up with someone like me who is in between two wings. On the right I am told I am not ëscientificí enough and on the other side [I am criticized] for not being ëradicalí enough. But thatís what makes it an active field, there is something intrinsic about interpretive anthropology that makes consensus impossible. I mean if we had consensus weíd be dead.
NP: How do you situate yourself in the historical trajectory of interpretive anthropology? Moreover, how does your main ethnographic work relate with your contributions to the field?
There are some things that are different about my career than most peopleís: first, I had no anthropology until I came to graduate school, so I came to it very, very late. I also came to it out of an essentially humanistic tradition. But I came to it with philosophical motives, which is rare, I think. Nearly everyone else in the field was trained as an anthropologist from the beginning. The other unique thing about my career is that I spent very little time in wholly, completely anthropological environments. In graduate school I was in what was called Social Relations, which was a new and innovative field and department that was interdisciplinary. So the things around me were not physical anthropology, linguistics, archaeology but also sociology, clinical psychology and so on. So I spent one year at the center and then one year at Berkeley and there I was in an anthropology department proper. Then I went to Chicago where I taught half in the Anthropology program and half in the New Nations program and I spent ten years building the ërevolutioní that I spoke of earlier, with compatriots. I then went to the Institute for Advanced Studies which was a general school of social science where I was the only anthropologist. So unlike Victor Turner, or David Schneider, or Mary Douglas, I have always kind of been self-marginalized, I have never really been ëinside ití.
As for my fieldwork, I went first to Java as a graduate student on a collective project. I spent two and a half years in Java and I came back and began to write. And there was a division of labor: my wife Hilley worked on kinship and family and I worked on religion. So I came back and wrote a thesis on religion and then began to develop an essay on religion as a cultural system. That came out of a great summit meeting that was held at Cambridge in the mid-1960s. David Schneider was there, I was there and gave the ëReligion as a Cultural Systemí paper, Marshall [Sahlins] was there. There was this moment of self-recognition when we were going to have this ëhands across the seaí. It was an amicable meeting and was an attempt to get the two traditions together. Then I went back to Java, then I went back to Bali and Sumatra. I looked at religion and rethought what I had written on. Then there was a big upheaval in Indonesia and I felt I could not go there with young children so I went to Morocco instead, to understand the other end of the Islamic world. I then worked on Islam in Indonesia and Islam in Morocco and tried to look at the differences and similarities. There is this very stereotypical view of Muslims that they are alike and that they all go around with knives. People know that Spanish Catholics and English Catholics and American Catholics are not the same, but when it comes to Islam they think that they are all the same. So I spent time writing Islam Observed and other things trying to get that sense of a differentiated notion of Islam. Then I went back to Java and Iíve since then been working back and forth, and doing something that is not commonly done which is comparing two cultures not my own. There has been this tendency to compare a ëthemí and an ëusí, and in the US that means Americans and others and I wanted to compare two societies that did not include the US, Morocco and Indonesia; I wanted to take two societies that were both different from my own background and compare them. These two societies have some similarities ñ Islam, for instance ñ but they are different places. So Iím interested in looking locally but also comparatively looking back and forth.
PK: You have written extensively on the construction of the ëself í and the notion of the ëpersonaí (rather than on people as social subjects). What are the theoretical, methodological and epistemological advantages that you see in this disjuncture? In other words, how does such an analytical focus help make better sense of the interpretive aspects of human expressions?
Again that is a place where fieldwork really did have an effect. Because the first time I began to think about this was in Bali, where the distinction between the persona and the self, the creatural self, is strongly emphasized. Balis have a highly dramatistic way of presenting themselves, of seeing themselves. I began to think of how Balis understand the notion of time and self, of the way that etiquette took in the persona, a persona that denies the creatural side. It makes people seem like they are all actors in an endless pageant where individuals replace others as personas just go on. You can see this in the Javanese social system, too.
How does your approach to the making of the self (maybe we could call it an interpretive social poetics) account for such interpretive dualities as self and other, sameness and otherness, identity and alterity, or, especially, the dialectics between difference and otherness?
Well that is somewhat of a western formulization and that is not the way that Javanese or Balinese would think of it. Otherness is differently conceptualized in all three of those societies. But the sharp contrast between self and other is much muted in Java. Etiquette suppresses it, you are not supposed to let your feelings show directly, you try to reduce difference, certain differences are accentuated, but differences of kind are not. In Morocco gender is a huge marker and there is gender separation ñ this is a little bit stereotypical. In Java, it is not that there are no differences but gender is very much minimized. And in Morocco differences of status are not emphasized. In Java status is more important, but gender is different, the clothes that are worn in Java are very much the same between men and women. Most of the heroes are androgynous; most of the gods are androgynous. So they try to minimize as much as they can gender differences and accentuate as much as they can status differences. It is a different kind of pattern. Everyone creates their own notion of what is other.
PK: Letís think about the concept of the self in interpretive anthropology: text and context, textuality and inter-textuality, text as process and product, text as performance. How does the self encounter the text? How does the concept of inter-subjectivity modify ñ if it does ñ such an interpretive encounter?
Interpretive models are not only textual. Some are textual, but again there is the dramatic model, I use the theater model sometimes. So I donít want to identify textual things with interpretive models. Not to evade the question but that is first. Secondly, it is an analogy. My own use of it comes from Paul Ricoeur who uses it as an analogy, the idea that you can read texts. And there I do think, if you go back to the persona notion, that people understand one another in a sense textualizing, in making them into some sort of story, like ëXí. Thatís just like ëhimí to do that, ëitís just like us Javenese to be politeí, and so on. There is always that kind of story about people as individuals but also individuals as classes, as personae. So, that kind of textualization of others goes on all the time. We create texts with one another, the text is never created by one person, that is the intersubjective part, it is always created in the context of other people. I mean this little world we are in right now has do to with me, but also with you and the production that we exchange and so on and that is how I construct the notion of what I am all about. So in that sense it is a textualization thing and it is intersubjective. You canít make yourself alone. There are all sorts of collective representations of selfhood as in ëthis is what it is proper to beí, to act, whatever.
On the poetics of text-as-performance and the poetics of performance-as-text: how is the rhetorical dimension of such discourses researched and accounted for? Is there a ëself í outside of performance and is there a ëpersonaí outside of a ëself í?
Interpretive anthropology is very practice oriented so texts are performed. That is why I say what I say about text analogues. Iíve read the cockfight as a text. Now thatís an action, and I textualize it perhaps, but Iíve tried to look at it as a Balinese text. I have tried to see how the Balinese make sense of this. So behavior is read by the people who are involved in it. The Balinese cockfight means something, or so I argue, ëthis is what I argue is going on here, that masculinity is at risk, and so on.í And after I wrote that I got messages from all over the world because cockfighting is one of the most widespread sports in the world, and I had not realized that. And it means something different in different parts of the world. And so it is not a written text and you donít ask literal questions about it as if it were a written text, and the differences between it and written texts are worth keeping in mind before you go overboard.
NP: Interpretive anthropology has been charged with a lack of focus on power, especially political power, a criticism that has drawn heavily from Foucaultís formulations on power and discipline and Gramsciís formulations on hegemony, and Marxist understandings of ideology. Would you like to address this issue of power, discipline and hegemony in terms of interpretive anthropological analyses?
Well it may be true that it has not dealt with this ñ I would argue that it has ñ but thatís a fair question. The real question that is really important is ëcan it handle questions of power and hegemony?í, and so on. I must say that I donít see why not, and I have tried to do it in various ways. But the dangers that I think people see is aestheticization and yielding to hegemony and hegemonic views. If you look at some of the work that people have done it seems to be at least somewhat concerned with power. The notion that it aestheticizes everything seems to me not correct. And certainly it isnít intrinsic to it. I donít see why, again, in the same way that the textualization of the self does not destroy the creaturality, the textualization of power does not change the nature of the Balinese state which is all about power, warfare, and domination. But the thing that has made that charge more cogent and more current is Foucaultís theory of creating subjects and creating domination. So there is not a question of dealing with power but how power should be conceived and whether a disciplinary view of power, which is essentially what Foucault has, is really a valid one. And so it is really not a question of whether one deals with power or one doesnít but how one is supposed to deal with power. I donít think that interpretive anthropologists neglect ëreal powerí, whatever that is. Real power is power that is effective and we can talk about that. Whether we deal with it in a Foucauldian idiom or not? No, we donít. By and large we donít. We have a lot to learn from that. But this is where the criticism has come from, people who want to look at power as a disciplinary force.
NP: How can (or should) the anthropological ëself í be situated towards its object of study? Is reflexive ethnographic practice a poetic epistemological breakthrough or a rhetorical ploy?
Well, there is a phrase by David Hoffman the painter who said that ëOur big mistake was to describe the world as though we were not in it.í And anthropology did that, including me, and I mean we all did it for a while. But I spent two and a half years in Javanese society and to describe this Javanese town as though I were not there, I mean it is just false. Now the textual problems of doing that are there, they exist, that is, how you construct a text, whether you do it in the first person, whether you do it by reflexive considerations, whether you do it otherwise, there are all kinds of ways of approaching it. But I think by now, everybody of the interpretive tradition, all recognize the need to include themselves in the world they are describing. Thatís what we do. Maybe sociology can pass out questionnaires and go hide behind the screen, but anthropologists do not do that. Most of my work has been done by talking to people, living with families, going to the market, walking around, and to make you believe that I got all of this from some information production machine just does not make any sense. What I mean is that this would be a mis-description of what we are doing. And here I would be quite adamant. Now reflexiveness can be overdone. Books are authored, they are signed and it is not by our subjects ñ we have done enough harm to them, we should not make them co-authors of our books. We write them and we should acknowledge that we write them. Hereís a story: when I went back to my town in Java after 25 years, the last of my books to be translated into Indonesian was a social history of this town that just came out when I was there. I had changed all the names (as you usually do) and one of my old informants had xeroxed the text and wrote in all of the proper names and had distributed them to the people there, and so when I went around to talk to them I had a lot of discussions about this. It was great fun, they would pull out the pages, it was great fun.
NP: Over the past 20 years we have experienced an epistemological fragmentation: an ever growing corpus of work by anthropologists who come from countries that have traditionally been the object of the anthropological project (and have been called anything from ënativeí anthropologists to ëinsiderí, ëindigenousí, ëat homeí and so on) but have participated in the international production of anthropological knowledge (through publications, teaching, and so on) and they are gaining a more active intellectual profile. Subjects and objects of study, subjectivities encountering objectivities. Is it possible to do without the classical epistemological dichotomy of subject/object? Is it possible to avoid or manage alternatively the dialectic between making sense and power?
Well, when I came into anthropology it was largely ëwesterní. In a generation, and partly due, I think, to interpretive anthropology, the first American Indian anthropologists began to emerge, and then there was a group of people from Sri Lanka that became quite eminent, so the whole field has been differentiated. And the other thing that came with this reflexive thing is the notion of the ësituated observerí, that is the notion that we donít stand on the moon, we stand somewhere. Sometimes we come from our own society, sometimes not, but wherever we are we are situated. And so the attempt to cast away all personal identity when you are writing about this stuff is problematic and so that has an effect on those who are writing about their own societies. There is a lot more work by Americans on American society than there used to be and I think that the whole notion of the situated observer has made this whole thing much more visible. You donít get to sign just your name anymore, you have to sign your identity and that is here to stay, it is just never going to go away, and especially as anthropology itself differentiates and becomes more cosmopolitan. When I first did work in Indonesia there was maybe one really good anthropologist, there are now 50 or 60. In Morocco there were even fewer, there were none, and today still there are not very many but there are some (including one teaching at Princeton as you know). So the whole field has changed that way so it is less a matter of ënativeí versus non-native ñ that is not how I usually phrase it ñ but as situated observers versus people who try to claim that they are looking at things from the sky. But where one stands always has to be foregrounded, or signaled in some way to make the account readable and interpretable for someone who is reading it. So (I always go back to literary models) just as the narrator has changed in fiction writing ñ you now have personalized narrators, unreliable narrators, and so on ñ all this has flooded into anthropological work. I think you also begin to include a critique of your own work in how you write it, so that people do not take it more seriously than it is worth taking. So the framing of the question as ënativeí ñ ënon nativeí ñ even in quotes! ñ is not the way that I would frame it. If there is a conflict, it has to do with the fact that interpretive anthropology fully accepts the reflexive, situated narrator and social anthropology does not do that. I mean, everything is supposed to look the same to everybody for them.
I tend to be skeptical in general about terminological solutions to problems of this sort. It is a problem of building texts, of trying to create a text in which the author is visible and identifiable and can be seen. You are writing a book, I mean it is not being written by god. But I tend to deal with these problems in terms of writing. Another concern that also emerged out of interpretive anthropology is the concern with the actual literary form of modern anthropological work. And I think that ñ in so far as we have to solve these problems, or at least face them honestly and directly ñ itís going to be through both borrowing and inventing literary devices. But I myself tend to do it not terminologically but to do it rhetorically. But my works are constructed differently, they are not all the same kind of form and I think that is true in general of people who write in the interpretive tradition. And again it is more like a literary analogy than a scientific one where you want to hold the observer constant, unchanged and unfeeling and ëuní everything else. There you donít have any kind of literary textual problem, you try to suppress any kind of rhetorical dimension to the text, and in interpretive work you try to maximize the visibility of the text.
NP: Finally, letís look at the practice of anthropology from the perspective of technological globalization. Does doing ethnography from a distance indicate a return to ëarmchair anthropologyí or a matter-of-fact reformulation of a century-old prerogative? Interpretation is always already post- and meta-factual. How does (can) an empirical reality totally mediated by technological simulation inform the interpretive process?
Well I donít see any reason why you canít do it from a distance. Iíve never been much interested in doing it at a distance, but there have been miraculous works done this way; I mean I still think that The Chrysanthemum and the Sword is an amazing work for someone who never went to Japan. So you can do it. It is not something that I do. We are much more involved in the technological world, you know the work of Bruno Latour, beginning to try to think about objects as part of interactions with human beings, and we are much more implicated in technological culture, day by day. We are now connected through non-human interlocutors. So it is no longer possible to regard technology as simply a background or framework on which society rests. It is integrated into the interpretive structure of reality and is not just regarded as an instrument or a tool but as an actor in society. Day by day everything is much more implicated in technology. Everything that we do. There was a blackout in New York the other day and it changed everything. So we canít regard technology as just a passive structure. Thatís a real change. And I think that change has been recognized, but how to describe it or discuss technology as actors, technological instruments as actors, is the question and we are just beginning to learn how to do this, some of us inside anthropology and some outside. But I think 430 again that interpretive anthropology is much more hospitable to this sort of thing than any other and that you get involved in science wars because the old positivist tradition is stronger in the natural sciences than the social sciences. So the whole notion that technology is a passive factor is changing entirely ñ it is an active force. Of course it has always been an active force but not so much as now. In a tribal society you can regard technology as a tool so you can build a canoe so that you can sail and fish. But in modern society it is really not possible to regard technology as external to our lives.
NENI PANOURGI¡ is Assistant Professor at the Department of Anthropology at Columbia University and a Research Fellow at the Anti-Cancer Institute of Athens (Greece). She is the author of Fragments of Death, Fables of Identity: An Athenian Anthropography (1995), and editor of Reading Writing: Interpretive Anthropology Now (forthcoming, 2003). She has published on the history and theory of anthropology, on architecture and politics, on death and the construction of the self, and critical medical issues. She is currently working on a project on Oedipus as a paradigmatic figure in the history of anthropology and modern critical thought. She has collaborated on a number of interviews for On the Paths of Thought. Address: Department of Anthropology, Columbia University, 458 Schermerhorn Extension, New York, NY 10025. [email: email@example.com]
Interview with Clifford Geertz (with Neni Panourgi·), in: Anthropological Theory, vol. 2 no. 4 (2002), pp. 421-432
online source: http://ant.sagepub.com/cgi/reprint/2/4/421
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